A simple news aggregator for audio engineers, record producers, and music enthusiasts.

Sound on Sound

  • Free Immersive Audio Webinar featuring Alan Parsons 
  • Walrus Audio introduce the Xero Polylooper
  • Soundghost release EKKO plug-in
  • BANSHEE from The Very Loud Indeed Co.
  • Melda Production launch Analog Empire: Brass & Winds

SonicScoop

  • The Psychology of Finalization: Why Finishing The Mix Feels So Hard
  • Mixing Doesn’t Have to Be Hard. (THIS Makes Mixing Easy.)
  • Picking Winners: The Art of Mixing with Contrast
  • Best Mastered Albums According to Audiophiles
  • The Best New Compact Studio Monitors? (ADAM Audio D3V Compared)

Mix Magazine

  • SSL to Debut Cloud Enhancements at NAB 2025
  • Allen & Heath Avantis Solo—A Mix Real-World Review, Part 4
  • Mix Best of Show Awards at NAB Deadline Extended!
  • Røde Launches 24/7 Customer Call Support
  • Boss Katana:Go Headphone Guitar Amp Gets Spatial…Again

Tape Op

  • Tunde Adebimpe: Thee Black Boltz
  • New Bon Iver: SABLE fABLE
  • New Music from Dirty Projectors
  • New Music From Tortoise
  • New Music From Lucy Dacus and Perfume Genius Produced By Blake Mills

The Pro Audio Files

  • 10 Plugins for Mixing With Headphones (+ Production Tips)
  • How to Use ChatGPT to Improve Your Music Productions
  • 14 Favorite Channel Strip Plugins (+ Mix Tips)
  • 9 Tips for Recording Strings
  • 8 Techniques for Compressing Vocals in a Mix

r/AudioEngineering

  • Has anyone purchased an item listed as in-stock on google only for it...
  • What kind of processing is done on vocals here?
  • Treating a low basement mix room
  • For those who work with stacks of acoustic fingerpicking tracks, how d...
  • How do you personally EQ a voice that’s a basso profundo, that can hit...

Resolution Magazine

  • Pro Tools 2022.9 – new features
  • Leapwing Audio’s Joe Chiccarelli plug-in
  • McDSP APB plug-ins now run natively on Intel & Apple silicon
  • New vocal tuning plug-in from Synchro Arts
  • Waves Spherix immersive compressor & limiter

MusicTech

  • Four Tet’s production hack for creating “a world” within his tracks so...
  • BandLab mobile users can now experiment with beats for free before buy...
  • Dyson launches “audio-only” headphones (this time, they don’t feature...
  • ‘Bad Gear’ guy says Uli Behringer is “up there with Elon Musk” as a “t...
  • Mass global IT outage hits music producers – BandLab and FL Studio use...

Attack Magazine

  • Oblivion Sound Lab – Paradiso – Soundbank for u-he Diva
  • Remix:Drums 1 of 2 New Drum Tools From Acon Digital
  • FL Studio 2025 Adds AI Support and Workflow Improvements in Annual Upd...
  • New in Fluid Chords 2: Chord Generator, Built-In Synth, & MPE Upgr...
  • Purrfect Grooves? A Chord Cat Groovebox Review

Pro Sound News

  • Flock Audio Relocates to Texas
  • Nashville’s High End TV Updates Truck
  • Tracking With Immersive Music in Mind, Part 1
  • Tyler, The Creator Creates A Pop-Up Show to Remember
  • Finessing The Sound of The Funeral Portrait

Pro Sound Web

  • Focusrite & ADAM Audio Host Inaugural “Create-it Takeover” At New...
  • Setting Up For Success: Three Important Things To Address In Monitor M...
  • Coming Up: RCF To Host TT+ AUDIO GTX Demos In Los Angeles
  • Yorkville Sound Unveils New Paraline Compact Line Array
  • iZotope Announces New FXEQ Multi-Effect Plugin

Audio Technology Magazine

  • More Than a Shimmer
  • Optimal Subwoofer on Line
  • Ring Modulator Soundscapes
  • Create & Control with d&b
  • Review: RØDE NTH-50 On-Ear Headphones

Audio Engineering Society

  • Professor Angelo Farina, 1958–2025
  • Mark F. Davis, 1946 – 2025
  • AES 2021 Election Results
  • New AES APEI Webinar to Focus on Audio Product Test and Manufacturing...
  • The Audio Engineering Society Announces Plans to "Reconnect" During Up...

Women’s Audio Mission

  • WAMCon Los Angeles 2024
  • NEW EPISODE: WAMCast Episode 1: Finding Your Audio Allies
  • Livestream Replay of Building Your Career in Audio at Gold Diggers Sou...
  • 2023 Fall Intern Final Cover Song Project
  • WAMCon Nashville Press Release

SoundGirls

  • Call for Volunteers: SoundGirls Virtual Conference 2025
  • How Studio Sessions Are Evolving: A Modern Look at Creativity, Collabo...
  • Alexandra Fehrman – Re-Recording Mixer and Supervising Sound Editor
  • We Need To Talk About Tech
  • Introducing SoundDocs – Accessible Production Documentation

Waves

  • Beginner’s Guide to Writing Vocal Harmonies: Music Theory Tips
  • Maluma Chooses Waves to Mix Live Broadcast on Amazon Music Prime
  • Metal Icons Queensrÿche Choose eMotion LV1 Mixer for 2022 Tour
  • eMotion LV1 Live Mixer Chosen for Karol G at Coachella 2022
  • Pink Floyd Co-Founder Nick Mason’s 2022 Echoes Tour Mixed with Waves

Bobby Owsinski

  • Country Music Historian Don Cusic On My Latest Podcast
  • New Music Gear Monday: Cre8audio Assembler Desktop Keyboard Mixer
  • Live And Studio Engineer Dennis Moody On My Latest Podcast
  • New Music Gear Monday: Tracktion StageBox Plugin Host For Live Perform...
  • How Spinal Tap Actually Influenced Volume Controls Everywhere

Audio Hertz

  • The top 9 most popular music producer memes of 2022
  • The top 9 most popular music producer memes of 2021
  • What the f*ck is an audio oscillator?
  • The top 9 most popular music producer memes of 2020
  • The best gifts to get for music producers in 2020

Gearspace

  • Jeff Beck - What God Wants
  • Ampex take deck electronics (350/351 etc)
  • CD Duplication Vs Replication
  • Query re: Nude Audio blumlein stereo ribbon array
  • Producing a Track in Anjunadeep Style Using One Serum 2 Bank

New Product Alert

  • Slate Digital VMR Essentials Bundle + New Perpetual License Pricing
  • SRM Sounds releases SLEEP Piano
  • Rhodes Debuts Custom Shop with Shelby-Inspired ‘American Classic’ MK8
  • iZotope releases FXEQ
  • Luxora Audio releases FREE Lux Vocal Preamp and Lux Sub-Bass plugins

Gear News

  • Guitar Journal: Donut Guitar = Sweet Tones
  • Cherry Audio, Pulsar Audio, Softube: 3 Ultimate Software Deals!
  • Rhodes Custom Shop American Classic MK8: This Stunning Limited Edition...
  • iZotope FXEQ Gives You More Control Over Sound Design – Special Effect...
  • Epiphone Acoustics: Acoustic Guitar Reissues, Inspired by Gibson Custo...

The Recording Revolution
  • New to Recording? Try This
  • Bad Mixing Advice
  • Setting Up a Home Studio (Start Here)
  • Stereo the WRONG Way #phase
  • Distortion: Vocal Secret Sauce

In The Mix
  • Get Feedback on YOUR music #19 - Submit your music using the link bel...
  • Get Feedback on YOUR music #19 - Submit your music using the link bel...
  • Get Feedback on YOUR music #18 - Submit your music using the link bel...
  • Home Studios…
  • $21,000 Studio Monitors vs VSX Headphones - Mix Comparison

Produce Like A Pro
  • Using Multiple Compressors On Vocals
  • Vocal Parallel For Texture With Bob Horn
  • Mixing Vocals - 4 Different Approaches: Marc Daniel Nelson, Bob Horn,...
  • Secret Weapon To Align Vocals
  • One Microphone To Start With

Make Pop Music
  • The SECRET To Getting Professional Quality Vocals (WITH NO EXTRA PLUGI...
  • Don't Sleep On These Production Tips!
  • How To Make A Song Like Justin Bieber (SWAG, Daisies, Devotion, Walkin...
  • My Day As A Professional Music Producer (Vlog)
  • A Pop Producer Tries To Make A Metal Song?! (Architects, Bring Me The...

Mix With The Masters
  • The Origins of "Good Luck, Babe!" with Dan Nigro
  • Benefits of console mixing with Marcella Araica
  • Balancing how fast you work with Stuart White
  • Studio Secrets with Jaycen Joshua | Sneak Peek
  • Important Conversations with Artists with Jaycen Joshua

PureMix
  • Interview: Andrew Dawson on Music Theory, AI & Authenticity | Pure...
  • Deesser with Fab Dupont
  • Inside The Mix: The Art of Echo Chambers with Matt Ross-Spang | Puremi...
  • 👄 Why not de-ess by hand?
  • 🎧 “Doesn’t matter how fancy your studio is…”

Red Means Recording
  • terrible lizard (bowser day re-upload)
  • Discord Monthly Challenge Listening Party: July 2025 (Racing Music)
  • I Bought a Weird Groovebox!
  • Leaving Spotify: What Every Musician Needs to Know
  • Beyond Guitars: Tabletop Humbucker Sound Design

Pensado’s Place
  • Pianist / Arranger, Micah McLaurin - Pensado's Place #593
  • An Evening at Verse with Chef Oscar Torres and Manny Marroquin - Pensa...
  • Multiplatinum Producer / Songwriter, Harmony "H-Money" Samuels - Pensa...
  • Head of Artist Relations for NI, iZotope, & Plugin Alliance, Dave...
  • Producer / Mixer, Richie Beretta - Pensado's Place #589

Reid Stefan
  • Making a beat with my Voice and AI | Sonarworks SoundID VoiceAI 🔥
  • Producing Orchestral Hip Hop Beats in Ableton 12 | SoundID Voice AI
  • How to setup Dolby Atmos 7.1.4 in a Home Studio 🔥
  • How to Setup Dolby Atmos 7.1.4 in a Home Studio
  • BandLab Mastering just got even BETTER | July 4th Sale!

Making Records with Eric Valentine
  • Most From The Least Jam#2 Mix Contest!
  • Most From The Least Jam #2 - FOLLOW UP
  • Liked Songs Playlist ROUND 2 (7.15.25)
  • The Sphere - Kenny Chesney and Grace Potter
  • Most From the Least - Jam #2 (Modern Rock)- HIGHLIGHTS

Ken Andrews
  • Episode 15 - Failure Update
  • Episode 14 - My Personal Studio - 2021
  • Episode 13.3 Mixing Hard Rock Vocals & Stereo Buss Processing with...
  • Episode 13.2 Mixing Underoath's "On My Teeth"
  • Invitation Video

Middle 8
  • Why has Vampire Weekend never had a hit?!
  • Does The Dare sound too much like LCD Soundsystem?
  • I'm so over brat
  • 8 Years Later: How I See You Changed The xx Forever
  • Bowie Knew He Was Dying When He Made This

Junkie XL
  • Furiosa Score Available Now!
  • As #FURIOSA approaches, let’s look back at #FuryRoad!
  • Here's a taste of FURIOSA! #shorts #futiosa
  • Here's a taste of FURIOSA! #shorts #furiosa
  • Testing my own guitar amps... almost done! #composer #filmcomposer #gu...

Streaky
  • 30 Mix Tips in 3 Minutes (You’ll Wish You Knew Sooner)
  • How To Limit a Track Louder.. #MusicProduction #AudioMastering #Studio...
  • Should I Learn Mixing or Mastering First?
  • Advice On Starting A Recording Studio
  • Should Vocals Always Be In Mono?

Adam Neely
  • The Harmonic Genius of Lau Noah
  • 🔒Locked🔒 (sungazer live in Tokyo)
  • Touring in Canada be like…
  • The Ethics of Fake Guitar
  • Everything is in 4/4 if you try hard enough

Sound Field
  • Why The Funkiest Music Is Coming From Brazil
  • How to Make ANYTHING Funky (feat. @NikWestBass )
  • The Hustle isn’t just disco—it’s a dance rooted in Latin rhythms!
  • The Hustle isn’t just disco—it’s a dance rooted in Latin rhythms!
  • Which iconic pop star did ABBA make an exception for?

Guy Michelmore
  • What's the Secret Sauce? Master Counter Melodies and Raise Your Game
  • B double flat?? 🤷🏻
  • MA Audio Post-production [New Course]
  • Guy Goes Wild.....(again)
  • Discover online Masters degrees that fit around your life. #sounddesig...

Broken Record (Rick Rubin)
  • Spellling | Broken Record
  • Daron Malakian on the songs he’s most proud of | Broken Record #podcas...
  • Daron Malakian on How the Stage Brings Out A Hidden Part of Himself |...
  • Daron Malakian on What Fans Get Wrong About System of a Down | Broken...
  • Daron Malakian on Scars on Broadway, System’s Legacy and Writing His B...

Two Minute Music Theory
  • Score Editing Is Satisfyingly Tedious #musiccomposer
  • My biggest insecurity as a musician
  • Mixolydian #7
  • Modes are rotational scales
  • Parent Scales and Scale Variants: Theory of Scales, Part 4

Music Matters
  • How Keyboard Harmony Can Liberate You at the Piano
  • Debussy's Haunting Tonality - Composer Insights
  • What Makes a Non-Chord Tone? - Music Theory
  • French Composers' Contribution to Baroque Music - Maestros July Livest...
  • Cool Extended Chord Progressions 3 - Music Composition

Rick Beato
  • The story of Pearl Jam “Given to Fly” #guitar #pearljam #guitarist #sh...
  • Andy Wallace on Drum Compression #drums #musicproducer #recording #sho...
  • Les Claypool talks about South Park! #primus #bass #southpark 
  • Danny Carey talks about Maynard’s voice #dannycarey #maynardjameskeena...
  • The Top 10 Records of This Century

Working Class Audio

  • WCA #555 Pierre de Reeder
  • WCA #554 with Mark Pistel
  • WCA #553 with Stefan Bock
  • WCA #552 with Daniel Holter
  • WCA #551 with Dane Giordano

Song Exploder

  • Episode 296: Gigi Perez
  • Key Change: Jason Schwartzman
  • Episode 295: Goo Goo Dolls
  • Episode 294: Little Simz
  • Key Change: Shirley Manson

Unstoppable Recording Machine

  • SCOTT ATKINS (CRADLE OF FILTH, SYLOSIS, ANDY JAMES)
  • CODY MATTHEW JOHNSON (Online Hate, Video Game Music, and Metal)
  • EP 398 | TANK THE TECH: The dirty truth about touring, disaster manage...
  • EP 397 | THE ZENITH PASSAGE: Technical Brutal Death Metal Vs Brutal Te...
  • EP 396 | Jens Bogren and Ihsahn

And The Writer Is…

  • Key Moment: Ryan Tedder | How to Be Irreplaceable
  • Ep. 216: Ryan Tedder (pt.3) | The Truth About Fame & How to Win in...
  • Key Moment: Russ | What Every Artist Needs to Know (10-Minute Blueprin...
  • Ep. 215: Jessie Reyez | The Story of Betting On Herself (For Anyone St...
  • Ep. 214: Ian Fitchuk | From Struggling Musician to Grammy-Winning Prod...

Twenty Thousand Hertz

  • Sound Off: Pinball Pings, Borrowed Melodies & Airport Acoustics
  • Mixing Madison Square Garden for Vulfpeck’s Biggest Show
  • The Music of Jeopardy! From a Lullaby to $100,000,000
  • Sound Off: Siren calls, musical melodies & missing frequencies
  • I interviewed 5 other Dallas Taylors and things got weird

Tonebenders

  • 318 - How Will A.I. Affect Sound Designers
  • 318 - MPSE Presents The Sound Legacy of James Bond
  • 317 - The Bear Season 4
  • 316 – Field Recording Stories With Tim
  • 315 - Sound Effects Field Recording Round Table

Gear Club

  • Why Did Zopa Record on Analog?
  • Michael Imperioli and John Agnello on their influences
  • Zopa's New Album Listening Party
  • Michael Imperioli's band Zopa on Making Art, the Chaos of Rock, and Th...
  • Why The Kinks’ “Waterloo Sunset” Might Be the Most Beautiful Pop Song...

Popcast

  • Popcast (Deluxe): Lizzo, Travis Scott and the Limits of Persona
  • J. Cole, Triumphant (at His Own Pace)

The Mastering Show

  • The Mastering Show #100 - Matt Boudreau from Working Class Audio inter...
  • The Mastering Show #99 - Recording, mixing and mastering acoustic guit...
  • The Mastering Show # 98 - Stem mastering, Atmos and dynamics at Abbey...
  • The Mastering Show # 97 - Should you learn mastering FIRST ?! (with Ke...
  • The Mastering Show # 96 - Flippin' Clippin' ! Is it REALLY everything...

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